“New Orleans' Loudest Singer-Songwriter!”
For the Wanderers, the Dreamers, the Fighters....
Jamie Vessels is creating bluesy rock and roll tunes for the wanderers, the dreamers, the fighters – those who live on the same off-the-beaten path that Jamie has been following all her life.
The singer, songwriter, and guitarist has developed a name for herself in the roots music culture in New Orleans, where her voice and her unabashed honesty consistently create a community out of a room full of strangers. Her new album If I’m Being Honest promises to cast that same spell, armed with bluesy, hard-hitting guitar riffs and lyrics that don’t shy away from the hard and hopeful experiences that make us human.
“Damn Dirty Demons” leads the collection with an unflinching look into the heart of addiction, swamp rock riffs sliding over a cigar box guitar as Jamie sings about the demons that can run our lives without us even realizing it. In the haunting “Eulogy at Joshua Tree,” the songwriter steps into the legacy of legends past as she recounts the ill-conceived Joshua Tree cremation of country music icon Gram Parsons. “Pulse” is a heavy-hearted offering about the Pulse nightclub shooting in Orlando that left 49 individuals (mostly from the LGBTQ community) dead. A song five years in the making, Jamie takes the opportunity to grieve the hatred and violence that the event represents.
But for Jamie Vessels, honesty hits both ends of the human spectrum. “I grew up Catholic, and it seems like every album that I record has some heaven/hell, demon/angel kind of reference,” she explains. “And I always also seem to have songs about hope and healing.”
That hope also takes shape through love songs, like the emotive single “Down,” which pledges a determined loyalty that would follow the one she loves down into the darkest abyss of experience. “To me, that is an element of hope,” Jamie says. “We’re not alone. There are people that will love you no matter what.”
From start to finish, this pull-no-punches album embodies that sense of solidarity. The theme of community is one that weaves its way all the way through the writing and recording process, especially as the album was taking shape during quarantine. “My gigs basically went from 60 to 0 in no time flat,” Jamie recalls. “I immediately got on the livestream thing. I needed to be able to connect with people.”
She also recounts taking that time to delve more deeply into her personal life and mental health. That process including working through trauma, recovery, food issues and disordered eating, neurodivergence, and, in general, “taking a good hard look back at who I am and why I am that way, and what I want to bring to the table for other people as a way to fully see themselves — how to heal, love, and experience hope and joy again.”
During lockdown, the process of learning how to host effective livestreams, how to interact with fans in the comments, and how to stay connected despite not being physically on stage ended up further developing Jamie’s own understanding of how crucial community is to her. The melting pot that is the New Orleans music scene had primed her to thrive in spaces that center on shared human experience. Even the album’s forthright political offerings are born from a protectiveness, standing against anything that would erode our sense of common humanity. Summing up her approach, Jamie says simply, “I don’t want anybody to feel left out.”
Jamie Vessels hasn’t always been the larger-than-life roots rock singer standing center stage. She grew up with a deep love for folk rock and singer-songwriters, absorbing the style of artists like Sheryl Crow, Beth Hart, and Brandi Carlile. Even then, her love for ‘the wanderers’ was taking shape: “my favorite songs tended to be the ones that dealt with heavier emotional subjects.”
Childhood piano lessons eventually led to picking up the guitar at age 10, prompting Jamie to enlist neighborhood kids in her very first band. She describes her first guitar teacher as “a rock and roll guy with long orange hair,” a resource that developed her musical edge. Believing that music wasn’t a sustainable career path, Jamie set aside music to attend college and then graduate school to earn a Master’s in Criminal Justice. During grad school in Massachusetts, she began to feel music’s magnetic pull once again.
Shortly after graduation, she moved to New Orleans and never looked back. “Being around jazz and blues and eclectic types of musicians has really shaped my sound. I found myself,” Jamie shares.
In addition to finding herself, Jamie found a whole musical community to work alongside. Today that continues to shape the music she creates. She works with three players who collaborate with and strengthen her own artistic vision. Describing the process, she explains, “Usually, I’ll write the songs, and I’ll bring them to rehearsal and say ‘here’s how I want it to go. You guys put your flavor on it.’ Other times, when we’re just feeling creative or being spontaneous, it’s a collaboration that starts with a riff or a lyric. Then we all work together to bring the song to life.”
It’s a chemical reaction that results in the raucous explosion of rock and roll energy and lyrical complexity, leaving an unmistakable impression on listeners. If I’m Being Honest captures that power like never before, using it as the catalyst to create community for the wanderers, the dreamers, and the fighters.
You can learn more about Jamie Vessels by following her on Facebook, Instagram, Twitter, YouTube, Spotify, iTunes, and Apple Music.
-major performances include:
New Orleans Jazz Fest 2020/2021 *postponed due to Covid-19*
French Quarter Fest 2020/2021 *postponed due to Covid-19*
Grand Isle Music Festival 2020 *postponed due to Covid-19*
Folk Alliance International 2020 - Official Showcase Artist
Sugar Magnolia Festival 2019
Freret Street Festival 2019
Rougarou Fest 2019
Big Easy Guitar Fests 2019-2020
Downriver Fest 2019
Texas Indie Fest 2019
Christone "KINGFISH" Ingram (solo)
Grayson Capps (solo)
Roxie Watson (solo)
-nominated for OffBeat's Best of the Beat Awards:
“Best Roots Rock Artist” of 2018
“Best Roots Rock Album” of 2018
“Best Emerging Artist” of 2015
-”Storm Coming” album and singles charted on ‘Roots Music Report'
-lead guitarist for all women’s “N.O.B.A.B.E.” concert project, 2018-2020
Jamie has also shared a stage with the likes of Paul Sanchez, Susan Cowsill, Sam Doores, Papa Mali, Jim McCormick, and Michael Cerveris, garnered praise from peers and domestic and international fans alike, played nationally, and has residencies in and around the Crescent City.
Electric: A Gibson girl at heart, Jamie has shifted from using the classic Les Paul body style to a new love, her 2013 Firebird V. With its 1963-style reverse body, high-output ceramic mini humbuckers, and vintage sunburst finish, this guitar makes for a well-rounded, deep stage sound. Jamie also added a coral-colored SG, a Chicago Music Exchange exclusive run of these iconic guitars, with a tortoise shell pickguard and T-Type humbucker pickups.
Slide: The newest addition to the gear family is a Burke-brand cigar box guitar. The sound and ease of play made it a no-brainer to include in Jamie's gear. She also uses "Reina," a 2017 SG from Reclaimed Guitar Co., complete with a custom paint job and the classic Gibson 490R/498T pickups over a solid mahogany body. Pictures and videos don't do this beautiful custom guitar justice -- it's a must-see in person!
Jamie uses a Dunlop 222 brass slide, but also hails the benefits of Rocky Mountain Slides, specifically the Shavano series in Hellhound Red.
Acoustic: Jamie is an exclusive user of Taylor acoustic guitars, her prized instrument being the 224ce-K DLX, a Grand Auditorium body style made of all Hawaiian koa wood.
Amplification: Jamie's live setup is an Orange TH30 Combo with 1x12" speaker for that classic, raucous sound.
Pedals (current rig):
Original CryBaby Wah
Xotic SP Compressor
JHS Unicorn Uni-Vibe V1
MXR Carbon Copy Delay
Boss TR-2 Tremolo
EarthQuaker Devices Plumes Overdrive